Vol. 6(55) No. 2 (2013)

PERFORMING ARTS

• Philosophy, Literature and (A)Tonal Music as Ingredients of Spectral Music. When the Hills are tossing black Shadows

  Laurentiu Beldean

  pp. 7-14

  • PDF

• Archaic Elements in the Romanian Spring-Summer Traditions. Landmarks for Dambovita County

  C. Boghici

  pp. 15-22

  • PDF

• The Interactive Methods and Techniques Stimulating Creativity - Crucial Components of the Didactic Strategies

  C. Boghici, S.T. Boghici

  pp. 23-28

  • PDF

• Alban Berg – Concerto for violin and Orchestra “In Memory of an Angel”

  Maria Cristina Bostan

  pp. 29-34

  • PDF

• George Enescu – “Voix de la Steppe”. Few Pedagogical Considerations (I)

  Cristina Buga

  pp. 35-40

  • PDF

• When Human Emotion Meets Technology. A Study of Machover’s “Death and the Powers”, the Robot Opera

  M. Buhaiciuc

  pp. 41-48

  • PDF

• The Spiritual Coordinate in Aurel Stroe’s “Melodramas on Job’s Book”

  Petruta Maria Coroiu

  pp. 49-54

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• Felicia Donceanu - The Poetic Universe of her Vocal and Chamber Works

  Madalina Gabriela Ionescu

  pp. 55-60

  • PDF

• “Fantasy for Solo Violin” by Marcel Mihalovici

  Alina Maria Nauncef

  pp. 61-64

  • PDF

• “Mass in C major” by Franz Schubert. Performance Landmarks

  Ioan Oarcea

  pp. 65-72

  • PDF

• Classical Archetype in “Sonatina for violin and piano” by Paul Constantinescu

  Dan Pepelea

  pp. 73-78

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• Stylistic Directions in Paul Constantinescu’s Musical Creation

  Roxana Pepelea

  pp. 79-84

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• Adaptations of the Schenkerian Analysis to Post-Tonal Music

  Anca Preda-Ulita

  pp. 85-90

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• Fr. Geminiani –“ Sonata op. 1 no. 5 in b flat major for Violin”

  Petra Cristina Varlan

  pp. 91-98

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• Docimologic Issues in Evaluating the Theoretical Works in Music Education

  Petre Marcel Varlan

  pp. 99-104

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• Instrumental Transcription for Guitar and its Framing in the Copyright Law

  Corneliu George Voicerscu

  pp. 105-110

  • PDF