Vol. 12(61) Special Issue (2019)

Proceedings of the 9th International Conference „The Science of Music – Excellence in Performance”
30. X – 01.XI 2019, Brasov, Romania

DOI: https://doi.org/10.31926/but.pa.2019.12.61.2.specialIssue2019

Published: 2020-01-29

PERFORMING ARTS

Expressions of vocality in romantic opera. Giuseppe Verdi and Richard Wagner

Edith Georgiana Adetu

pp. 7-12
- pdf
The importance of the Lydian concept by forming the chords with extended notes

F. Balan, R. Pepelea

pp. 13-24
- pdf
Disinhibition of the public through happening-performance (II.) Steps to overcome the prejudicial condition of canonical art-reception: immobilism in traditional spectatorship, evicted from his part to be played in the poietic of the art-work and convicte

L. Beldean, C. Tutu

pp. 25-30
- pdf
Spiritual dualities revealed by the hermeneutic analysis of „Symphony of Psalms” by Igor Stravinsky

Alexandra Belibou

pp. 31-38
- pdf
La voix lyrique, l’expression de l’ame

Liliana Bizineche

pp. 39-46
- pdf
A propos des fractales et du chaos dans les etudes pour piano de Gyorgy Ligeti

Amalia Blanaru

pp. 47-60
- pdf
Dmitri Shostakovich – Concerto no.2 for cello and orchestra op.126

Maria Cristina Bostan

pp. 61-70
- pdf
Johann Georg Pisendel: Sonata for violin solo in A minor

E. Gabor, I.C. Filip

pp. 71-76
- pdf
Accompanying and the Orchestral Reduction of 20th Century Music

Lioara Fratila

pp. 77-84
- pdf
Elements simplifies pour la pratique de la musique baroque

Jean-Christophe Frisch

pp. 85-100
- pdf
The Cause-Effect Diagram in Music

Emilia Giol (Calefariu)

pp. 101-106
- pdf
„Revedere/Return” by Dan Voiculescu – an exploration of the Romanian folkloric resources

L. Greavu, R. Pepelea

pp. 107-114
- pdf
The musical language in the piano sonatina by Carmen Petra-Basacopol

Corina Ibanescu

pp. 115-124
- pdf
The Evolution of the Bessarabian lyrical artists at the Opera Theater in Cluj and Bucharest in the Interwar Period

Traian Ichim

pp. 125-136
- pdf
Elements of modal harmony in Romanian choral works of some representatives of the genre

Liviu Ioan Iosif

pp. 137-144
- pdf
Dave Weckl. Particulars of style and performance

Vlad Isac

pp. 145-150
- pdf
The Evolution of French Musical Orientalism in the Works of Francisco Salvador-Daniel

Naomi Karacsony

pp. 151-160
- pdf
The Musical repertoire of the Lipovan Russians of Sarichioi – A Form of Preservation and Perpetuation of Ethnic Identity

Mirela Kozlovsky

pp. 161-168
- pdf
Martin Luther’s contribution to the crystallization of the Protestant Choral

Anamaria Lupu

pp. 169-176
- pdf
Musical education or education through music? Transdisciplinary approach to the musical education of the adolescents

Mirela-Larisa Matei (Rosca)

pp. 177-186
- pdf
Emotions and Visual Intelligence, resources in the service of Music quality

Ruxandra Mirea

pp. 187-194
- pdf
„Ciaccona” in D minor from Partita II for solo Violin (BWV 1004) by J.S. Bach and „Ciaccona” for solo Violin, in B minor, op.21 by R. Barth. Comparative analysis

Alina Maria Nauncef

pp. 195-204
- pdf
Systematic Mathematical thinking reflected in the Semiology of the Musical Language

Ioan Oarcea

pp. 205-214
- pdf
Occupational diseases of the Opera singer: Connection and therapy through the breathing technique

A.O. Pop, I.C. Filip

pp. 215-224
- pdf
Corneliu Dan Georgescu – The Aesthetics of Archetypal Minimalism. Theoretical Considerations

Iuliana Porcos

pp. 225-232
- pdf
When does the formation of the musical personality begin?

Petrica-Eugen Predoi

pp. 233-242
- pdf
An exceptional meeting at the Black Church: Emilia Petrescu and Hans Eckart Schlandt

Cristina Radu-Giurgiu

pp. 243-252
- pdf
A study of the importance of vocal energy on classical singing

Marcos Santos

pp. 253-258
- pdf
Expression particulars of Brahms’s music language, mirrored in hs Compositions for Piano

S. Sebastian, S. Dragulin

pp. 259-270
- pdf
The influence of playing simultaneously with singing in flute sonority

Monika Streitova

pp. 271-276
- pdf
Poetic aspects in the Chamber Music of Adrian Pop

Paula Sandor

pp. 277-284
- pdf

Vol. 12(61) Special Issue (2019)

PERFORMING ARTS

Expressions of vocality in romantic opera. Giuseppe Verdi and Richard Wagner

The importance of the Lydian concept by forming the chords with extended notes

Disinhibition of the public through happening-performance (II.) Steps to overcome the prejudicial condition of canonical art-reception: immobilism in traditional spectatorship, evicted from his part to be played in the poietic of the art-work and convicte

Spiritual dualities revealed by the hermeneutic analysis of „Symphony of Psalms” by Igor Stravinsky

La voix lyrique, l’expression de l’ame

A propos des fractales et du chaos dans les etudes pour piano de Gyorgy Ligeti

Dmitri Shostakovich – Concerto no.2 for cello and orchestra op.126

Johann Georg Pisendel: Sonata for violin solo in A minor

Accompanying and the Orchestral Reduction of 20th Century Music

Elements simplifies pour la pratique de la musique baroque

The Cause-Effect Diagram in Music

„Revedere/Return” by Dan Voiculescu – an exploration of the Romanian folkloric resources

The musical language in the piano sonatina by Carmen Petra-Basacopol

The Evolution of the Bessarabian lyrical artists at the Opera Theater in Cluj and Bucharest in the Interwar Period

Elements of modal harmony in Romanian choral works of some representatives of the genre

Dave Weckl. Particulars of style and performance

The Evolution of French Musical Orientalism in the Works of Francisco Salvador-Daniel

The Musical repertoire of the Lipovan Russians of Sarichioi – A Form of Preservation and Perpetuation of Ethnic Identity

Martin Luther’s contribution to the crystallization of the Protestant Choral

Musical education or education through music? Transdisciplinary approach to the musical education of the adolescents

Emotions and Visual Intelligence, resources in the service of Music quality

„Ciaccona” in D minor from Partita II for solo Violin (BWV 1004) by J.S. Bach and „Ciaccona” for solo Violin, in B minor, op.21 by R. Barth. Comparative analysis

Systematic Mathematical thinking reflected in the Semiology of the Musical Language

Occupational diseases of the Opera singer: Connection and therapy through the breathing technique

Corneliu Dan Georgescu – The Aesthetics of Archetypal Minimalism. Theoretical Considerations

When does the formation of the musical personality begin?

An exceptional meeting at the Black Church: Emilia Petrescu and Hans Eckart Schlandt

A study of the importance of vocal energy on classical singing

Expression particulars of Brahms’s music language, mirrored in hs Compositions for Piano

The influence of playing simultaneously with singing in flute sonority

Poetic aspects in the Chamber Music of Adrian Pop

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