Vol. 12(61) No. 1 (2019)

DOI: https://doi.org/10.31926/but.pa.2019.12.61

Published: 2019-07-18

PERFORMING ARTS

Richard Clayderman and Andre Gagnon - Common references of componistic stylistics

Petruta-Maria Coroiu

pp. 7-12
- pdf
Simplicity and Mastery. Meter and Rhythm in Part II of the “Concerto for Piano in G major” by Maurice Ravel

Leonard Dumitriu

pp. 13-28
- pdf
Observations regarding the Perception of Dynamic Aspects in the "Nocturnes"of Francis Poulenc (“I.Nocturnes no. I-IV”)

Tatiana Hilca

pp. 29-38
- pdf
Aspects in the Evolution of the Sonata Genre and Form in the Piano Creation

Corina Ibanescu

pp. 39-44
- pdf
Expressing Reality through Spectacle and Dream in Baroque Art

Noemi Karacsony

pp. 45-52
- pdf
Innovative Techniques and Methods in Contemporary Musical Rducation

Gelu Neagu

pp. 53-64
- pdf
Figure and Affection in „Orgelbüchlein” by J. S. Bach

Roxana Pepelea

pp. 65-72
- pdf
Archetypal Aesthetics in Various Branches of Art

Iuliana Porcos

pp. 73-80
- pdf
The Orchestral Character of Beethoven’s Pianism

Constantin Sandu

pp. 81-90
- pdf
The Polyeleos „A Good Word” in the Musical Reflection of the Composer Horatiu Alexandrescu

Ciprian Savin

pp. 91-100
- pdf