Vol. 11(60) No. 2 Special Issue (2018)

Published: 2019-01-30

PERFORMING ARTS

The negative Harmony

Florin Balan

pp. 7-16
- PDF
Disinhibition of the public through happening-performances

L. Beldeanu, C. Tutu

pp. 17-24
- PDF
Documentary contributions from the 1971-1973 press about the musical life of Brașov

Alexandra Belibou

pp. 25-30
- PDF
Romanian composers from the second half of the 20th century - the beginning of the 21st century, who composed works with religious themes (solo repertoire for soprano voice, vocal-symphonic repertoire and choral repertoire)

Maria Catrina

pp. 31-38
- PDF
Musical education at the preschool age – the start on the road to performance

Eudjen Cinc

pp. 39-48
- PDF
The evolution of a musical work from idea to interpretative act. The “Acamas” paradigm by Vasile Herman

Andrada Ciupeiu

pp. 49-56
- PDF
Gabrielle Roth’s 5 rhythms – Music, Dance and Therapy

Fulvia Anca Constantin

pp. 57-64
- PDF
Modalities of transcribing the folk-musical repertoire for violin

Veronica Claudia Constantin

pp. 65-72
- PDF
Semantics and confession in the “stabat mater”

Petruta-Maria Coroiu

pp. 73-78
- PDF
An innovative approach of music therapy in kindergarten

Lioara Fratila

pp. 79-88
- PDF
Fragments de la vie d’un flûtiste, Pierre Gabriel Buffardin (Provence, ca. 1690 – Paris, 13 January 1768)

Jean-Christophe Frisch

pp. 89-102
- PDF
S.M.A.R.T. goals in artistic management

Emilia Giol (Calefariu)

pp. 103-108
- PDF
Stylistic influences in the choral works of Irina Odagescu

E.L. Greavu, R. Pepelea

pp. 109-116
- PDF
The Discovery of Musical Content and Personality Through Picture. Music: Symphony No.8, „The Unfinished Symphony” by Franz Schubert

Maria-Ecaterina Hanke

pp. 117-126
- PDF
Ornamental potential of the Pan Flute illustrated in Baroque transcriptions

Liviu Ioan Iosif

pp. 127-136
- PDF
The electronic drum and the MIDI or USB Connection

Vlad Isac

pp. 137-144
- PDF
An Image of the Exotic in the works of Ernest Reyer: from “Le Selam” to “Salammbc”

Noemi Karacsony

pp. 145-154
- PDF
The coexistence of separation and integration rites in the Nuptial Repertoire of the Cipan Aromanians in Dobruja

Mirela Kozlovsky

pp. 155-164
- PDF
G. Ruzitska: Adagio and Rondo concertant for cello and orchestra

Z. Lazar, I.C. Filip

pp. 165-172
- PDF
Schenker`s perspective on Sonata Form: First Movement of Mozart`s Sonata for Piano and Violin KV 304

Elena-Mihaela Manafu

pp. 173-180
- PDF
Unity and diversity in Mozart’s work

E.M. Manafu, A.M. Naucef

pp. 181-188
- PDF
Time and religious feeling in Postmodernism: Louis Andriessen

Sorana Manailescu

pp. 189-198
- PDF
Knowledge and conscientiousness – two vectors in musical performance

Ruxandra Mirea

pp. 199-206
- PDF
La musique – l’art de la communication

Ion Negrila

pp. 207-214
- PDF
Archaismes by Sigismund Toduță – Stylistic guidelines concerning interpretation

Ioan Oarcea

pp. 215-220
- PDF
The Prayer-Chant Our Father in the vision of the composer Constantin Arvinte

Gianin-Cristian Oprea

pp. 221-228
- PDF
Musical-Rhetorical Figures illustrated in Bach’s Matthaus-Passion

F. Paun, R. Pepelea

pp. 229-238
- PDF
The exceptions in the rhythm of children’s folklore in the Serbian part of Banat

K. Planjanin-Simic, K. Vesna

pp. 239-250
- PDF
Highlights of repetitive minimalism in the work of composer Liana Alexandra

Iuliana Porcos

pp. 251-258
- PDF
About skills, talent and genius

Petrica-Eugen Predoi

pp. 259-266
- PDF
The principle of versatility in the technical and interpretative approach of vocal music

Cristina Radu-Giurgiu

pp. 267-276
- PDF
Alexandru Zirra and the opera Alexandru Lăpuşneanu

Adrian Rosu

pp. 277-286
- PDF
Documentary contributions from the newspapers around 1967-1970 concerning the musical life of Brașov

Madalina Dana Rucsanda

pp. 287-296
- PDF
Changing traditions

Zoltan Szalay

pp. 297-302
- PDF
Giuseppe Verdi, Requiem – Libera me, Semantic and hermeneutical aspects Giuseppe Verdi

Raluca Tonescu-Irimia

pp. 303-312
- PDF

Vol. 11(60) No. 2 Special Issue (2018)

PERFORMING ARTS

The negative Harmony

Disinhibition of the public through happening-performances

Documentary contributions from the 1971-1973 press about the musical life of Brașov

Romanian composers from the second half of the 20th century - the beginning of the 21st century, who composed works with religious themes (solo repertoire for soprano voice, vocal-symphonic repertoire and choral repertoire)

Musical education at the preschool age – the start on the road to performance

The evolution of a musical work from idea to interpretative act. The “Acamas” paradigm by Vasile Herman

Gabrielle Roth’s 5 rhythms – Music, Dance and Therapy

Modalities of transcribing the folk-musical repertoire for violin

Semantics and confession in the “stabat mater”

An innovative approach of music therapy in kindergarten

Fragments de la vie d’un flûtiste, Pierre Gabriel Buffardin (Provence, ca. 1690 – Paris, 13 January 1768)

S.M.A.R.T. goals in artistic management

Stylistic influences in the choral works of Irina Odagescu

The Discovery of Musical Content and Personality Through Picture. Music: Symphony No.8, „The Unfinished Symphony” by Franz Schubert

Ornamental potential of the Pan Flute illustrated in Baroque transcriptions

The electronic drum and the MIDI or USB Connection

An Image of the Exotic in the works of Ernest Reyer: from “Le Selam” to “Salammbc”

The coexistence of separation and integration rites in the Nuptial Repertoire of the Cipan Aromanians in Dobruja

G. Ruzitska: Adagio and Rondo concertant for cello and orchestra

Schenker`s perspective on Sonata Form: First Movement of Mozart`s Sonata for Piano and Violin KV 304

Unity and diversity in Mozart’s work

Time and religious feeling in Postmodernism: Louis Andriessen

Knowledge and conscientiousness – two vectors in musical performance

La musique – l’art de la communication

Archaismes by Sigismund Toduță – Stylistic guidelines concerning interpretation

The Prayer-Chant Our Father in the vision of the composer Constantin Arvinte

Musical-Rhetorical Figures illustrated in Bach’s Matthaus-Passion

The exceptions in the rhythm of children’s folklore in the Serbian part of Banat

Highlights of repetitive minimalism in the work of composer Liana Alexandra

About skills, talent and genius

The principle of versatility in the technical and interpretative approach of vocal music

Alexandru Zirra and the opera Alexandru Lăpuşneanu

Documentary contributions from the newspapers around 1967-1970 concerning the musical life of Brașov

Changing traditions

Giuseppe Verdi, Requiem – Libera me, Semantic and hermeneutical aspects Giuseppe Verdi

series-VIII

High Visibility

Information