Vol. 11(60) No. 2 (2018)

Published: 2019-01-21

PERFORMING ARTS

Die Darmstadter Internationalen Ferienkurse fur Neue Musik: Ein weiterer Durchbruch in die Moderne für die rumänische Kompositionsschule (Teil II)

Laurentiu Beldean

pp. 7-18
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The rhythm of popular music

Alexandra Belibou

pp. 19-26
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Concerto No.1 for Violin and Orchestra in A Minor op.99 from Dmitri Sostakovici

Maria Cristina Bostan

pp. 27-40
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Voice classification: terminology and practicality

Adriana Festeu

pp. 41-52
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Four Chamber Arias by Johann Sartorius junior (1712–1787), dedicated to the time before Lent, preceeding the Holy Easter

Maria-Ecaterina Hanke

pp. 53-66
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Sound Interferences. Inquisition in the world of keyboard Instruments from the eighteenth century

Corina Ibanescu

pp. 67-72
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“Offence to the Eye”: Farinelli as an actor on Opera stage. Case from anthropology of theatre

Malgorzata Lisecka

pp. 73-86
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Structural and performing milestones in the work of the composer Iacob Mureşianu (I. The Lied “Return to the Homeland”)

Gina-Mihaela Pavel

pp. 87-94
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Argumentative patterns of musical discourse illustrated in emblematic creations of the German Baroque

Roxana Pepelea

pp. 95-104
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Connections between music and painting in Arnold Schoenberg’s works

Madalina Dana Rucsanda

pp. 105-114
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The evolution of the Protestant Chorale Ein’ feste Burg ist unser Gott by Martin Luther. Part I

T.A. Soporan, I. Oarcea

pp. 115-124
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Musical visualisation – an important tool in professional performance

Ligia-Claudia Suteu

pp. 125-132
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