Voice classification: terminology and practicality

Abstract

Voice classification constitutes an important part of singers’ vocal identity, development, and careers. The issue of inconsistent terminology within the classification, therefore, has repercussions on singers’ livelihoods. The main aim of this paper is to identify a functional and consistent way in which the term Zwischenfach can be used in the operatic industry. The materials presented illustrate the ongoing issues of the voice- and role-classification systems, contextualizing therefore the main topic of Zwischenfach’s meaning and use. As part of the conclusion regarding the integration of the term, my research supports that its addition as a new category would not render the Fach system more functional. Instead, I am proposing integrating the term as a description of timbre; such a meaning would encourage its further use without changing the categorization system.