Vol. 14(63) No. 2 (2021)

DOI: https://doi.org/10.31926/but.pa.2021.14.63.2

Published: 2022-01-20

PERFORMING ARTS

J.S. Bach – The Authentic (?) Flute Sonata in E-Flat Major

Ricardo M. Alves

pp. 7-20
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Disinhibition of the public through happening- performance (IV.) Steps to overcome the prejudicial condition of canonical art-reception: immobilism in traditional spectatorship, evicted from his part to be played in the poietic of the art-work and ...

L. Beldean, C. Tutu

pp. 21-30
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Article-dialogue on the lyrical voice and the pedagogy of singing. From Transylvania to Lusitania: a happy encounter

L. Bizineche, M.J. Sousa

pp. 31-40
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Fyodor Dostoyevsky and music

P.M. Coroiu

pp. 41-48
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A stylistic approach to Mihail Jora's pianistics as reflected in the cycle “Five Songs for Voice and Piano on Poems” by Octavian Goga, op. 11

Andreea Dobia

pp. 49-56
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The national specific at Frederic Chopin and Edvard Grieg – a parallel

Lioara Fratila

pp. 57-64
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The sound color palette of the double bass: history and modernity

M. Ichim, S. Dragulin

pp. 65-74
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Indian perspectives in the works of Albert Roussel and Maurice Delage

N. Karacsony, M. Rucsanda

pp. 75-84
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Morpho-functional elements in the miniature genre Chastushki, from the folklore of the Lipovan Russians

Mirela Kozlovsky

pp. 85-96
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Interpretation versus Performance in the work “De Profundis” by Sofia Gubaidulina

Goncalo Pescada

pp. 97-108
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The Concept of Harmony. A Structural Perspective

Anca Preda-Ulita

pp. 109-114
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A study of the “i” vowel on tenor passaggio in the aria “Una furtiva lagrima” by Gaetano Donizetti

Marcos Santos

pp. 115-124
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Selected flute percussive techniques and their impact on Sound Emission and Articulation

Monika Streitova

pp. 125-134
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