Article-dialogue on the lyrical voice and the pedagogy of singing. From Transylvania to Lusitania: a happy encounter

Authors

  • L. Bizineche University of Evora, Portugal
  • M.J. Sousa NOVA University of Lisbon, Portugal

DOI:

https://doi.org/10.31926/but.pa.2021.14.63.2.3

Keywords:

Singing, Pedagogy of Singing, Master, Disciple

Abstract

Our contribution is a reflection based on the living experience of two people born in different countries who, fortunately, met in a pedagogic situation. That changed their life. They shared the love of singing and the need to express emotions and feelings; this encounter developed into a Master/Disciple relationship, something that is common to many singers–to find someone who can be a mirror and contribute to its vocal and personal development. Untypically for a scientific article, we call it an article-dialogue, divided into Prologue, Five Acts and Epilogue, where Liliana Bizineche (LB) and Maria João Sousa (MJS) reflect about their own experience i.e. guidelines in a singing class, the importance of choosing the repertoire based on the student's voice, a student as a personality of an artist, the contribution of teaching in the artistic path and a brief panorama of singing teaching in Portugal in the 90s and nowadays.

Author Biographies

L. Bizineche, University of Evora, Portugal

Music Department School of Arts of Evora University

M.J. Sousa, NOVA University of Lisbon, Portugal

School of Social Sciences and Humanities, GEDH – CESEM– NOVA FCSH (Education and Human Development Group – Centre for Sociology and Musical Aesthetics)

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Published

2022-01-20

Issue

Section

PERFORMING ARTS