Vol. 13(62) No. 2 Special Issue (2020)

Proceedings of the 10th International Conference „The Science of Music – Excellence in Performance”
27-28th of November 2020, Brasov, Romania

DOI: https://doi.org/10.31926/but.pa.2020.13.62.3

Published: 2021-10-21

PERFORMING ARTS

Disinhibition of the public through happening-performance (III.) Steps to overcome the prejudicial condition of canonical art-reception: immobilism in traditional spectatorship, evicted from his part to be played in the poietic of the art-work and convict

L. Beldean, C. Tutu

pp. 7-16
- PDF
Tibetan Sacred Dances

Alexandra Belibou

pp. 17-24
- PDF
The directorial conception on operetta „Silvia” by Emmerich Kalman

Madalina Bourceanu

pp. 25-36
- PDF
The Maverick type of accomplished Concert Pianist of the XX century. Considerations about the musical profile and their special high performance rank

Andreea Bratu

pp. 37-48
- PDF
Hypostases de la temporalite dans l’oeuvre musicale, dans les concerts d’Aurel Stroe

Petruta-Maria Coroiu

pp. 49-56
- PDF
Sound polychromes in the choral creation of the composer Gheorghe Dutica

L. Dutica, E.L. Stanciu

pp. 57-68
- PDF
Chopinian Particularities in Piano’s Sonata op. 58

Lioara Fratila

pp. 69-78
- PDF
Vocal technique in the formation stages of the lyric artist

Emilia Giol (Calefariu)

pp. 79-84
- PDF
Stylistic aspects reflected in the musical choral volume “Cantece pentru copii/Songs for children”, signed by Dan Voiculescu

E.L. Greavu, R. Pepelea

pp. 85-92
- PDF
Musical Education aspects in the contemporary school based on the Theory of Multiple Intelligence

Alexandra-Ioana Homone

pp. 93-102
- PDF
Double Concert in F Major by Antonio Soler

Corina Ibanescu

pp. 103-112
- PDF
Evaluation of the stylistic path of authors of concertos composed for double bass and orchestra in XVIII-XX centuries

M. Ichim, S. Dragulin

pp. 113-122
- PDF
Innovative marketing in the performing arts

Traian Ichim

pp.123-130
- PDF
The methodology of teaching wind and percussion instruments, through the children and youth’s band

Cristina Mioara Ioan

pp. 131-140
- PDF
Repetitive Minimalism in the Work of Philip Glass. Composition Techniques

Iuliana Isac

pp. 141-148
- PDF
The Sound of the Stradivari Violin – between Tradition and Modernism

I. Isac, V. Isac, I.C. Filip

pp. 149-154
- PDF
Art-Nouveau and the Portrait of the Fin de Siecle Woman in Jules Massenet’s Cleopatre

Noemi Karacsony

pp. 155-166
- PDF
Georg Ruzitska: Introduction et Variations brillantes sur un theme hongrois, op. 14

Zs. Lazar, I.C. Filip

pp. 167-174
- PDF
Nun freut euch, lieben Christen g’mein, the first Lutheran choral from the first collection of Protestant hymns – a rhetorical analysis

Anamaria Lupu

pp. 175-182
- PDF
La gestuelle dans les operas de Lully. Le cas de la plainte d’Armide

Magda-Eliza Maftei

pp. 183-190
- PDF
Aspects of the Common Implications in Time and Metric in Collective Free Improvisation in the Recorded Work: Musicking Shapes

Mario Dinis Marques

pp. 191-202
- PDF
Theme and performance in Symphony No. 5 by Philip Glass

S. Manailescu, I. Oarcea

pp. 203-214
- PDF
The method in musical interpretation

Mihaela Mihailescu

pp. 215-220
- PDF
Le Theatre Jorat du Mezieres, Suisse, et l’histoire d’un chef-d’oeuvre musical, Le Roi David d’Arthur Honegger

Ioan Oarcea

pp. 221-230
- PDF
The Eighth Echos reflected in the „doxastika” sticheras from Dimitrie Suceveanu’s „Idiomelar”

Alexandru Plian

pp. 231-240
- PDF
The Prolongation in the Music of Ravel

Anca Preda-Ulita

pp. 241-248
- PDF
Syncretic Art in the Musical Language of the Opus 27 by Eugene Ysaye

R.M. Ropotan, R. Pepelea

pp. 249-256
- PDF
The role of the Conductor of children choir in the improvement of Interpersonal Communication through Music

Madalina Dana Rucsanda

pp. 257-266
- PDF
Teaching voice online: Reflection and a practical advice

Marcos Santos

pp. 267-276
- PDF
“From Pure Source Only” – Collection of Hungarian Folk Songs Project

Zoltan Szalay

pp. 277-286
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The Parallelism between Linguistics and Music – Noam Chomsky and Heinrich Schenker

Botond Szocs

pp. 287-294
- PDF
Le jeu avec les couleurs du piano. Quelques exemples dans Jatekok (Jeux) de Gyorgy Kurtag

Amalia Szucs-Blanaru

pp. 295-304
- PDF
The psychology of music creation

Claudia-Ligia Suteu

pp. 305-312
- PDF
Drama-Music Communication in Opera Performance

Roxandra Tabacaru

pp. 313-320
- PDF
The appropriation of the necessary technique in singing performance

O.R. Vari, S. Dragulin

pp. 321-330
- PDF

Vol. 13(62) No. 2 Special Issue (2020)

PERFORMING ARTS

Disinhibition of the public through happening-performance (III.) Steps to overcome the prejudicial condition of canonical art-reception: immobilism in traditional spectatorship, evicted from his part to be played in the poietic of the art-work and convict

Tibetan Sacred Dances

The directorial conception on operetta „Silvia” by Emmerich Kalman

The Maverick type of accomplished Concert Pianist of the XX century. Considerations about the musical profile and their special high performance rank

Hypostases de la temporalite dans l’oeuvre musicale, dans les concerts d’Aurel Stroe

Sound polychromes in the choral creation of the composer Gheorghe Dutica

Chopinian Particularities in Piano’s Sonata op. 58

Vocal technique in the formation stages of the lyric artist

Stylistic aspects reflected in the musical choral volume “Cantece pentru copii/Songs for children”, signed by Dan Voiculescu

Musical Education aspects in the contemporary school based on the Theory of Multiple Intelligence

Double Concert in F Major by Antonio Soler

Evaluation of the stylistic path of authors of concertos composed for double bass and orchestra in XVIII-XX centuries

Innovative marketing in the performing arts

The methodology of teaching wind and percussion instruments, through the children and youth’s band

Repetitive Minimalism in the Work of Philip Glass. Composition Techniques

The Sound of the Stradivari Violin – between Tradition and Modernism

Art-Nouveau and the Portrait of the Fin de Siecle Woman in Jules Massenet’s Cleopatre

Georg Ruzitska: Introduction et Variations brillantes sur un theme hongrois, op. 14

Nun freut euch, lieben Christen g’mein, the first Lutheran choral from the first collection of Protestant hymns – a rhetorical analysis

La gestuelle dans les operas de Lully. Le cas de la plainte d’Armide

Aspects of the Common Implications in Time and Metric in Collective Free Improvisation in the Recorded Work: Musicking Shapes

Theme and performance in Symphony No. 5 by Philip Glass

The method in musical interpretation

Le Theatre Jorat du Mezieres, Suisse, et l’histoire d’un chef-d’oeuvre musical, Le Roi David d’Arthur Honegger

The Eighth Echos reflected in the „doxastika” sticheras from Dimitrie Suceveanu’s „Idiomelar”

The Prolongation in the Music of Ravel

Syncretic Art in the Musical Language of the Opus 27 by Eugene Ysaye

The role of the Conductor of children choir in the improvement of Interpersonal Communication through Music

Teaching voice online: Reflection and a practical advice

“From Pure Source Only” – Collection of Hungarian Folk Songs Project

The Parallelism between Linguistics and Music – Noam Chomsky and Heinrich Schenker

Le jeu avec les couleurs du piano. Quelques exemples dans Jatekok (Jeux) de Gyorgy Kurtag

The psychology of music creation

Drama-Music Communication in Opera Performance

The appropriation of the necessary technique in singing performance

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