Vol. 10(59) No. 2 Special Issue (2017)

Proceedings of the 7th International Conference “The Science of Music – Excellence in Performance”
22nd–25th of November, 2017, Brasov, Romania

Published: 2018-01-30

PERFORMING ARTS

Die Darmstadter Internationalen Ferienkurse fur Neue Musik: ein weiter Durchbruch in die Moderne fur die rumanische Komponistenschule I

Laurentiu Beldean

pp. 7-16
- PDF
Musical symbols of the ephemera – eternal dichotomy in the final movement of “Tehillim”by Steve Reich

Alexandra Belibou

pp. 17-24
- PDF
Vision and strategy for cultural management

Elena Calefariu

pp. 25-30
- PDF
L’opera et l’oratorio europeens dedies a Jeanne d’Arc entre 1938 et 2014. Etude de dramaturgie musicale

Alexandra Cherciu

pp. 31-38
- PDF
“Our Father”, music by Anton Pann. A sacred Concerto work from composer Viorel Munteanu’s view point

Ioan Chiciudean

pp. 39-46
- PDF
L’humour dans les miniatures vocales des compositeurs roumains

Maria-Claudia Codreanu

pp. 47-54
- PDF
Liviu Danceanu, musicological dimensions of his aesthetics

Petruta-Maria Coroiu

pp. 55-60
- PDF
New ideas cast in old molds. Structures of musical forms in the “Sinfonia Concertante for Cello and Orchestra, op. 125”, by Sergei Prokofiev

Leonard Dumitriu

pp. 61-92
- PDF
The “G. Dima” Philharmonic in Brașov at the service of Creative Education in Music, in the years 1984–88

Maria-Ecaterina Hanke

pp. 93-102
- PDF
Hypostases of the “Spanish Baroque Sonatas” for keyboard instruments

Corina Ibanescu

pp. 103-108
- PDF
Elements of modal composition in Alexandru Pascanu’s Choral “Festum Hibernum”

I.L. Iosif, M.D. Rucsanda

pp. 109-116
- PDF
Spectral thought in the work of composer Octavian Nemescu

Vlad Isac

pp. 117-126
- PDF
Beethoven’s dynamics seen in terms of his “Piano and Violin Sonatas”

M. Itigan, S. Dragulin

pp. 127-134
- PDF
Felicien David – the revealer of musical exoticism in the Romantic Era

Noemi Karacsony

pp. 135-142
- PDF
Case study on the substitution of “Lullabies” with fishing and religious songs among Lipovan Russians in Dobruja

Mirela Kozlovsky

pp. 143-150
- PDF
Mozart’s “Sonatas for Piano and Violin” in the historical context of the Epoch

Elena-Mihaela Manafu

pp. 151-156
- PDF
Distinguishing marks of the conductorial art, in Mariana Popescu's volume: “Ion Vanica. The magic of the children's choir”

Ruxandra Mirea

pp. 157-164
- PDF
Coral theatre in the Programs of the International Festival of Chamber Choirs and Vocal Ensembles in Kragujevac (Serbia) – Contributions to defining and structuring the term

Miloje Nikolic

pp. 165-186
- PDF
Archaismes by Sigismund Toduță – stylistic interferences, conducting interpretations

Ioan Oarcea

pp. 187-200
- PDF
Continuo, cadences et point d’orgue dans les“ Concerts pour piano et orchestre” de W. A. Mozart

Inna Emilia Oncescu

pp. 201-210
- PDF
Transformations of Romanian traditional songs in Constantin Arvinte’s choral creation

Gianin-Cristian Oprea

pp. 211-218
- PDF
Aspects of vocal and choral harmony from the conductor’s perspective

Ciprian Para

pp. 219-230
- PDF
Interventional highlights for children with disabilities and their families

Codruta Mariana Pasc

pp. 231-240
- PDF
Texture and dramaturgy in “Recitative and Chorus no. 58”, from Bach’s Matthaus-Passion

F. Paun, R. Pepelea

pp. 241-248
- PDF
Organic structure of the form in the “Second Sonata for Piano and Violin, Op.6”, by George Enescu

Dan Pepelea

pp. 249-256
- PDF
The Romanian lied. The first National Festival of the Romanian lied in Brașov (II)

Maria Petcu-Catrina

pp. 257-262
- PDF
Interdisciplinarity; reference to contemporary music pedagogy

Petrica-Eugen Predoi

pp. 263-268
- PDF
The opera orchestra and great conductors in the 20th century

Cristina Radu

pp. 269-276
- PDF
The role of Archdeacon Sebastian Barbu-Bucur in the reactivation of the Romanian Religious Musical Education

Ciprian Savin

pp. 277-284
- PDF
Musical particularities in Paul Constantinescu's “Oratorios”

Dan Alexandru Streza

pp. 285-298
- PDF
Thoughts on the Transylvanian folksong competitions

Zoltan Szalay

pp. 299-306
- PDF
Olivier Messiaen – Dimensions theologiques en hypostases sonores; Symbolisme chretien dans les œuvres pour Piano

Violetta Stefanescu

pp. 307-314
- PDF
Trends in musician’s psychology

Claudia-Ligia Suteu

pp. 315-322
- PDF
Aspekte der ubermaßigen Sekunde im Wohltemperiertem Klavier von J. S. Bach

Petre-Marcel Varlan

pp. 323-330
- PDF
Important aspects in developing the new musical curriculum for the Romanian educational system

Iulian Bogdan Voda

pp. 331-338
- PDF

Vol. 10(59) No. 2 Special Issue (2017)

PERFORMING ARTS

Die Darmstadter Internationalen Ferienkurse fur Neue Musik: ein weiter Durchbruch in die Moderne fur die rumanische Komponistenschule I

Musical symbols of the ephemera – eternal dichotomy in the final movement of “Tehillim”by Steve Reich

Vision and strategy for cultural management

L’opera et l’oratorio europeens dedies a Jeanne d’Arc entre 1938 et 2014. Etude de dramaturgie musicale

“Our Father”, music by Anton Pann. A sacred Concerto work from composer Viorel Munteanu’s view point

L’humour dans les miniatures vocales des compositeurs roumains

Liviu Danceanu, musicological dimensions of his aesthetics

New ideas cast in old molds. Structures of musical forms in the “Sinfonia Concertante for Cello and Orchestra, op. 125”, by Sergei Prokofiev

The “G. Dima” Philharmonic in Brașov at the service of Creative Education in Music, in the years 1984–88

Hypostases of the “Spanish Baroque Sonatas” for keyboard instruments

Elements of modal composition in Alexandru Pascanu’s Choral “Festum Hibernum”

Spectral thought in the work of composer Octavian Nemescu

Beethoven’s dynamics seen in terms of his “Piano and Violin Sonatas”

Felicien David – the revealer of musical exoticism in the Romantic Era

Case study on the substitution of “Lullabies” with fishing and religious songs among Lipovan Russians in Dobruja

Mozart’s “Sonatas for Piano and Violin” in the historical context of the Epoch

Distinguishing marks of the conductorial art, in Mariana Popescu's volume: “Ion Vanica. The magic of the children's choir”

Coral theatre in the Programs of the International Festival of Chamber Choirs and Vocal Ensembles in Kragujevac (Serbia) – Contributions to defining and structuring the term

Archaismes by Sigismund Toduță – stylistic interferences, conducting interpretations

Continuo, cadences et point d’orgue dans les“ Concerts pour piano et orchestre” de W. A. Mozart

Transformations of Romanian traditional songs in Constantin Arvinte’s choral creation

Aspects of vocal and choral harmony from the conductor’s perspective

Interventional highlights for children with disabilities and their families

Texture and dramaturgy in “Recitative and Chorus no. 58”, from Bach’s Matthaus-Passion

Organic structure of the form in the “Second Sonata for Piano and Violin, Op.6”, by George Enescu

The Romanian lied. The first National Festival of the Romanian lied in Brașov (II)

Interdisciplinarity; reference to contemporary music pedagogy

The opera orchestra and great conductors in the 20th century

The role of Archdeacon Sebastian Barbu-Bucur in the reactivation of the Romanian Religious Musical Education

Musical particularities in Paul Constantinescu's “Oratorios”

Thoughts on the Transylvanian folksong competitions

Olivier Messiaen – Dimensions theologiques en hypostases sonores; Symbolisme chretien dans les œuvres pour Piano

Trends in musician’s psychology

Aspekte der ubermaßigen Sekunde im Wohltemperiertem Klavier von J. S. Bach

Important aspects in developing the new musical curriculum for the Romanian educational system

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