Vol. 9(58) No. 2 Special Issue (2016)

Proceedings of the International Conference “The Science of Music – Excellence in Performance”, November 26–27, 2015, Brasov, Romania

Published: 2017-01-27

Articles

William Byrd – Catholic Masses for three voices, four voices, and five voices in Protestant England

Marius Bahnean

pp. 7-16
- PDF
Psychological perspective in the musical work “Mithya” by Doina Rotaru

Mihaela-Georgiana Balan

pp. 17-34
- PDF
Elements of the minimalist composition technique in Arvo Part’s works based on psalmic texts

Alexandra Belibou

pp. 35-40
- PDF
Music and consumerism; the aesthetics of an urban capitalistic society

Irina Boga

pp. 41-48
- PDF
Natalie Bauer-Lechner – temoignages sur Gustav Mahler

Leonard Boga

pp. 49-58
- PDF
“Concerto No.1 for Cello and Orchestra, Op.107 in E flat Major” by Dmitri Sostakovici

Maria Cristina Bostan

pp. 59-72
- PDF
Planning, primary element in cultural management

Emilia Calefariu

pp. 73-78
- PDF
La transition entre la parole et la musique dans la priere Notre Pere, composition d’Anton Pann, a travers la vision de Viorel Munteanu, l’ideologie dans la revelation divine

Ioan Chiciudean

pp. 79-94
- PDF
Modern Music Therapy – Between Art and Science

Fulvia Anca Constantin

pp. 95-98
- PDF
Musical aspects of George Cosbuc’s Poetry (150 years from his birth)

Petruta-Maria Coroiu

pp. 99-104
- PDF
Choosing the right music - an important step of Music Therapy

S. Dragulin, F.A. Constantin

pp. 105-110
- PDF
Getting back a mythic time. Opera-fresco “Stages of history” by Mihai Moldovan

Luminita Dutica

pp. 111-136
- PDF
Quelques aspects de la couleur dans la musique et la peinture

Cornelia Gogescu

pp. 137-146
- PDF
Meanings of the „Postromanticism” concept in the context of the Universal and National creation of the first decades of the 20th century

Loredana Iatesen

pp. 147-162
- PDF
Tipology of modal systems in Romanian folklore. Dyachronic and synchronic approaches (Researcher’s plan)

Ioan Liviu Iosif

pp. 163-168
- PDF
Historic landmarks in Beethoven’s Sonata for Piano and Violin

M. Itigan, S. Dragulin

pp. 169-176
- PDF
The Csiki collection of Imets Denes

Zoltan Kiskamoni-Szalay

pp. 177-182
- PDF
Parting Songs of the Dobruja Aromanians and Tatars

Mirela Kozlovsky

pp. 183-194
- PDF
Music – one of the best ambassadors of Cultural diplomacy

Oana Lianu

pp. 195-200
- PDF
Methacomunication in Conductor’s Art

Ruxandra Mirea

pp. 201-210
- PDF
Articulation in Mozart's piano-violin Sonatas

A.-M. Nauncef, E.M. Manafu

pp. 211-218
- PDF
Multicultural interferences choral international

Ioan Oarcea

pp. 219-226
- PDF
L’ Univers musical webernien represente par les " Variations pour le piano op. 27”

Inna-Emilia Oncescu

pp. 227-236
- PDF
Music and dance therapy methods for improving the children-parents relationships

Codruta Pasc

pp. 237-244
- PDF
The musical-accoustic experiment and the influence of behaviourism from an evolutionary perspective

Florin Paun

pp. 245-254
- PDF
Recycling the Folk Music

Roxana Pepelea

pp. 255-264
- PDF
The Romanian lied. The first National Festival of the Romanian lied in Brasov

Maria Petcu-Catrina

pp. 265-270
- PDF
Developing musical creativity and empathy through group practices

Madalina Dana Rucsanda

pp. 271-280
- PDF
Sebastian Barbu-Bucur – A Life in the service of the Romanian Psaltic Music

Ciprian Savin

pp. 281-288
- PDF
The Religious Carol – from “Calendae” to “Colinda”

Dan Alexandru Streza

pp. 289-296
- PDF
The development of the Romanian music Avant-garde in the Communist Era

Ana Szilagyi

pp. 297-316
- PDF
Music therapy and the PERMA model

L.-C Suteu, S. Dragulin

pp. 317-322
- PDF
Structure, style et interprétation en "Paukenmesse” de Joseph Haydn

Ciprian Tutu

pp. 323-338
- PDF

Vol. 9(58) No. 2 Special Issue (2016)

Articles

William Byrd – Catholic Masses for three voices, four voices, and five voices in Protestant England

Psychological perspective in the musical work “Mithya” by Doina Rotaru

Elements of the minimalist composition technique in Arvo Part’s works based on psalmic texts

Music and consumerism; the aesthetics of an urban capitalistic society

Natalie Bauer-Lechner – temoignages sur Gustav Mahler

“Concerto No.1 for Cello and Orchestra, Op.107 in E flat Major” by Dmitri Sostakovici

Planning, primary element in cultural management

La transition entre la parole et la musique dans la priere Notre Pere, composition d’Anton Pann, a travers la vision de Viorel Munteanu, l’ideologie dans la revelation divine

Modern Music Therapy – Between Art and Science

Musical aspects of George Cosbuc’s Poetry (150 years from his birth)

Choosing the right music - an important step of Music Therapy

Getting back a mythic time. Opera-fresco “Stages of history” by Mihai Moldovan

Quelques aspects de la couleur dans la musique et la peinture

Meanings of the „Postromanticism” concept in the context of the Universal and National creation of the first decades of the 20th century

Tipology of modal systems in Romanian folklore. Dyachronic and synchronic approaches (Researcher’s plan)

Historic landmarks in Beethoven’s Sonata for Piano and Violin

The Csiki collection of Imets Denes

Parting Songs of the Dobruja Aromanians and Tatars

Music – one of the best ambassadors of Cultural diplomacy

Methacomunication in Conductor’s Art

Articulation in Mozart's piano-violin Sonatas

Multicultural interferences choral international

L’ Univers musical webernien represente par les " Variations pour le piano op. 27”

Music and dance therapy methods for improving the children-parents relationships

The musical-accoustic experiment and the influence of behaviourism from an evolutionary perspective

Recycling the Folk Music

The Romanian lied. The first National Festival of the Romanian lied in Brasov

Developing musical creativity and empathy through group practices

Sebastian Barbu-Bucur – A Life in the service of the Romanian Psaltic Music

The Religious Carol – from “Calendae” to “Colinda”

The development of the Romanian music Avant-garde in the Communist Era

Music therapy and the PERMA model

Structure, style et interprétation en "Paukenmesse” de Joseph Haydn

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