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  1. Home /
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  3. Vol. 17(66) No. 1 (2024)

Vol. 17(66) No. 1 (2024)

DOI: https://doi.org/10.31926/but.pa.2024.17.66.1
Published: 2024-10-09

PERFORMING ARTS

  • Parmenides-Plato: (Musical) Ontology

    Petruța-Maria Coroiu
    pp. 7-14
    • pdf
  • Narrative elements in “Piano Sonata no. 1, op. 11”, by Robert Schumann

    D. Ichim, B. Szocs, S. Dragulin
    pp. 15-24
    • pdf
  • Sonic emotion: variability of perception based on context and state

    A. Oltean, R. Popescu
    pp. 25-32
    • pdf
  • Particularities of Chopin’s use of sustaining pedal

    Lioara Popa
    pp. 33-40
    • pdf
  • An analytical look at some Romanian choral works from the First half of the XXth century

    R. Preja, E.-A. Moldovan
    pp. 41-56
    • pdf
  • Enhancing performance through Raga understanding: Insights into L. Subramaniam’s „Fantasy on Vedic Chants”

    M. Suciu, S. Dragulin
    pp. 57-66
    • pdf
  • Self-quotation in Personal Creation. The Journey from Musical Self-Portrait to #Selfie

    Sabina Ulubeanu
    pp. 67-76
    • pdf
  • “I Am the True Vine” by Arvo Part. The stylistic and interpretative analysis. Conductor’s perspective

    Dragos-Mihai Cohal
    pp. 77-100
    • pdf

series-VIII

Journal information

series_VIII

Title: Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts

Publishing House: Transilvania University Press
Subject(s): Music
Frequency: 2 (since 2011)

1 (up to the year 2010 inclusively)

ISSN (Print): 2344-200X
ISSN (CD-ROM): 2344–2018

ISSN (Online): 2971 – 9771

ISSN-L: 2344 – 200X

CNCSIS code: 926
Status: Active

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The articles that appear in the journal are distributed under a Creative Commons Attribution 4.0 International License. Creative Commons License

Published by Transilvania University Press, Brasov, Romania

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