Vol. 16(65) Special Issue (2023)

DOI: https://doi.org/10.31926/but.pa.2023.16.65.3

Published: 2024-01-31

PERFORMING ARTS

Specific elements of Cuban music, evolution

Florin Balan

pp. 7-20
- pdf
Cornel Taranu ou La lecon sur le contraste

Amalia Szucs-Blanaru

pp. 21-32
- pdf
Copy (the Music) and Share (the Tape). On the Institutionalization of “Piracy” in the Polish People’s Republic

Darius Brzostek

pp. 33-46
- pdf
The bassoon between tradition and avant-garde in the Romanian school (last half of the 20th century beginning of the 21st century)

Maria Chifu

pp. 47-58
- pdf
Multidisciplinary Improvisation Consort in Brasov

M. Conceicao, P. Perfeito, P. Santos

pp. 59-66
- pdf
Aurel Stroe: Morphogenetic Conception on Music (The Entropic Uncertainty and the “Death” of Musical Structures)

Petruta-Maria Coroiu

pp. 67-72
- pdf
George Enescu: First Tour in Bessarabia

Aurelian Danila

pp. 73-78
- pdf
Rhythm and metre in Leos Janacek’s early theoretical concept

Leonard Dumitriu

pp. 79-88
- pdf
Co(ho)quet(us) for two flutes by Diana Rotaru: Performing Peculiarities

Anastasia Gusarova

pp. 89-100
- pdf
Serbian choral music from the first half of the 20th century

V. Ibanescu, I.-A. Ardereanu

pp. 101-108
- pdf
Great personalities of military music. Ioan Vlăduță – head of music, general inspector of military music, composer, military

Cristina Mioara Ioan

pp. 109-116
- PDF
Beethoven’s C minor and the anxieties of inner conflict from the perspective of the Piano and Violin Sonatas

Mihaela Itigan

pp. 117-122
- pdf
Facial Expression in Italian and French Opera Acting at the Turn of the 18th and 19th Centuries: Perspective of the Encyclopedic Sources

Małgorzata Lisecka

pp. 123-136
- pdf
“Leonardo dreams of his flying machine” - stylistic aspects. Inside Eric Whitacre’s fascinating musical world

A.M. Melinte, M. Ionescu, M. Matei

pp. 137-148
- pdf
The Suite for Piano in the Creation of George Enescu and Constantin Silvestri - Tradition and Originality

Ioan Mihailescu

pp. 149-156
- pdf
Musical Interpretation / Performance as Spiritual and Educational Phenomenon

Manuela Mihailescu

pp. 157-162
- pdf
General aspects of Dumitru Capoianu's music in the feature film Adventures in the Danube Delta

Titiana Mirita

pp. 163-172
- pdf
Contexts for integrating classical music in vulnerable educational environments

Gelu Neagu

pp. 173-186
- pdf
Musical connections: Nadia Boulanger and her artistic legacy in Romania

Cristina Pascu

pp. 187-194
- pdf
Twentieth Century Compositional Techniques Applied to Jazz: Pitch-Class Sets in Jazz Composition and Improvisation

Paulo Perfeito

pp. 195-208
- PDF
Converter System writing and isobematic language in Christopher Bochmann's ESSAY XVIII

Goncalo Pescada

pp. 209-232
- pdf
Primitivism in Early 20th Century French Music: Darius Milhaud’s La creation du monde

M.D. Rucsanda, N. Karacsony

pp. 233-242
- pdf
Elements for a lesson: Beethoven Sonata op. 53 „Waldstein”

Constantin Sandu

pp. 243-252
- pdf
Training the musical attention: Towards a new generation of methods in music education

Laszlo Stacho

pp. 253-262
- pdf
Beethoven’s Italian Concerto (Piano Concerto No. 4 in G major, Op. 58)

Dinu-Mihai Stefan

pp. 263-274
- pdf
Composition Techniques Specific to the Arabic Musical Language in Kareem Roustom's Violin Concerto No. 1

M. Suciu, S. Dragulin

pp. 275-302
- pdf

Vol. 16(65) Special Issue (2023)

PERFORMING ARTS

Specific elements of Cuban music, evolution

Cornel Taranu ou La lecon sur le contraste

Copy (the Music) and Share (the Tape). On the Institutionalization of “Piracy” in the Polish People’s Republic

The bassoon between tradition and avant-garde in the Romanian school (last half of the 20th century beginning of the 21st century)

Multidisciplinary Improvisation Consort in Brasov

Aurel Stroe: Morphogenetic Conception on Music (The Entropic Uncertainty and the “Death” of Musical Structures)

George Enescu: First Tour in Bessarabia

Rhythm and metre in Leos Janacek’s early theoretical concept

Co(ho)quet(us) for two flutes by Diana Rotaru: Performing Peculiarities

Serbian choral music from the first half of the 20th century

Great personalities of military music. Ioan Vlăduță – head of music, general inspector of military music, composer, military

Beethoven’s C minor and the anxieties of inner conflict from the perspective of the Piano and Violin Sonatas

Facial Expression in Italian and French Opera Acting at the Turn of the 18th and 19th Centuries: Perspective of the Encyclopedic Sources

“Leonardo dreams of his flying machine” - stylistic aspects. Inside Eric Whitacre’s fascinating musical world

The Suite for Piano in the Creation of George Enescu and Constantin Silvestri - Tradition and Originality

Musical Interpretation / Performance as Spiritual and Educational Phenomenon

General aspects of Dumitru Capoianu's music in the feature film Adventures in the Danube Delta

Contexts for integrating classical music in vulnerable educational environments

Musical connections: Nadia Boulanger and her artistic legacy in Romania

Twentieth Century Compositional Techniques Applied to Jazz: Pitch-Class Sets in Jazz Composition and Improvisation

Converter System writing and isobematic language in Christopher Bochmann's ESSAY XVIII

Primitivism in Early 20th Century French Music: Darius Milhaud’s La creation du monde

Elements for a lesson: Beethoven Sonata op. 53 „Waldstein”

Training the musical attention: Towards a new generation of methods in music education

Beethoven’s Italian Concerto (Piano Concerto No. 4 in G major, Op. 58)

Composition Techniques Specific to the Arabic Musical Language in Kareem Roustom's Violin Concerto No. 1

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