Vol. 15(64) No. 1 (2022)

DOI: https://doi.org/10.31926/but.pa.2022.15.64.1

Published: 2022-12-21

PERFORMING ARTS

Iannis Xenakis's Lasting Legacy in Mathematics of Music

Emmanuel Amiot

pp. 7-18
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A Few possible Resolutions of the Ontological Equation at Xenakis. Epiphanies and Projections in the Polytopes of Persepolis (1970), of Cluny (1972-74), of Mycenae (1978)

L. Beldean, C. Tutu

pp. 19-38
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Xenakis and the Echoes of War

Christoph Von Blumroder

pp. 39-44
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Etre xenakien : Une tentative d’exploration des lignes de fracture ouvertes par Iannis Xenakis dans la pensée musicale contemporaine

Jean-Marc Chouvel

pp. 45-60
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Four States of the Personality of Composer Iannis Xenakis and their Extensions in the Contemporary Digital Environment

Catalin Cretu

pp. 61-82
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Formalised or Music? Some Thoughts on Xenakis's Khoai

Barbara Dobretsberger

pp. 83-100
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Music’s Incited ‘Augmented Reality’ in Xenakis’s Polytopes, Scriabin’s Mysterium and Polymediality

Marios Joannou Elia

pp. 101-114
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Xenakis and Grisey on Musical Time

Lukas Hasselbock

pp.115-122
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The Genesis of GENDY3. The Creative Process that Led to Xenakis' Opus Summum

Peter Hoffmann

pp. 123-140
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Xenakis and Romanian Music: An Unspoken Relation

Mihu Iliescu

pp. 141-160
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Xenakis’ Strategies for Implementing Musical Immersion onto Listeners

M. Lisecka, F.A. Constantin

pp. 161-172
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Iannis Xenakis Arche-tekton

Teofil Mihailescu

pp. 173-192
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Xenakian Cello: Philosophy of Sound and Technique. Performing Kottos

Alfia Nakipbekova

pp. 193-208
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Iannis Xenakis, the Initiator of a New Phase in 20th Century Music: Aleatorism

Constantin Ripa

pp. 209-228
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