Vol. 13(62) No. 2 (2020)

PERFORMING ARTS

• Caught in the Act Committed within Domicile. E.C.H.R. Insight

  Edith Georgiana Adetu

  pp. 7-16

  • PDF

• Transgressing the Wall. Mauricio Kagel and Decanonization of the Musical Performance

  L. Beldean, M. Lisecka

  pp. 17-26

  • PDF

• The path to Excellence. Celebrating the 100 years of the Romanian National Opera House Cluj-Napoca. The “Hive” for “Beeing” an Opera singer

  Liliana Bizineche

  pp. 27-34

  • PDF

• Armenian Church Music: genres, modes, and notation issues

  A. Bodurian, S. Dragulin

  pp. 35-48

  • PDF

• Musicians from Brașov: Constantin Catrina – An integrated approach to Musical Folklore

  Elena Chircev

  pp. 49-58

  • PDF

• Ludwig van Beethoven and the modern music inspired by his compositions

  Petruța-Maria Coroiu

  pp. 59-64

  • PDF

• Stylistic features of Vivaldi’s bassoon concerti

  Laurentiu Darie

  pp. 65-74

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• The emancipation of feminine roles in Puccini’s creation

  Paula Loredana Duca

  pp. 75-84

  • PDF

• The role of operatic repertoire in young singers’ professional development

  Adriana Festeu

  pp. 85-94

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• Fantastic Piece for the Piano op. 142 no. 2 by J. B. Foerster

  Corina Ibanescu

  pp. 95-100

  • PDF

• The Semantics and Pragmatics of the character of Edgardo from Donizetti’s Lucia di Lammermoor

  Liviu Iftene

  pp. 101-112

  • PDF

• Aspects of the correlation between empathy and performance in music

  Ruxandra Mirea

  pp. 113-122

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• The Lied in Schubert’s Work. Stylistic and interpretive perspectives

  A.M. Negrea, R.M. Pepelea

  pp. 123-130

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• The Concept of Melody. A Structural point of view

  Anca Preda

  pp. 131-138

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• Developing choral skills at a young age through choral singing

  Madalina Dana Rucsanda

  pp. 139-152

  • PDF