The concept of style in the scenic interpretation of a musical score

Abstract

In the aesthetics of opera theater at the beginning of the 21st century, the concept of "style" is applicable only to a musical score. The impact of auditory and visual perception in an opera show contradicts the canons of classical opera, which are always focused on the synthesis of the arts that formed this phenomenon. The article is devoted to the urgent problem of the reform of the work, based on the ideals of contemporary drama. The mechanisms and ways of using the experience of a certain type of theater at the beginning of this century are considered by the author in a general historical and cultural context. The article reviews the innovative trends in the art of the opera singer. The purpose of the research is to present a singer-actor who is part of the operatic text. Using the experience of theater and music sciences, the author identifies the patterns of interaction between theatrical and musical series in the art of a singer. The author concludes that it is important to create scientific methods to research the above issues.