The Silencing of a Composer – Nicolae Bretan

Abstract

During the 20th century, while many artists thrived and enjoyed free expression, numerous others were suppressed by goverments, depriving the world of their works. This paper examines the impact of non-musical circumstances, particularly the rise of communist rule in Romania, on the reputation and recognition of composer Nicolae Bretan. Despite his numerous compositions, Bretan's refusal to support the newly empowered communist party led to the silencing of his music in 1948. The focus is on Bretan's vocal music, namely three of his one-act operas, which reflect his desire to create uniquely Romanian operas using Romanian poems and folklore.