Interpretive trends in „24 Preludes, Op. 11” by Alexandr Scriabin

Abstract

The performance of Alexander Scriabin's Preludes Op. 11 poses distinct problems and opportunities for contemporary pianists. These preludes, written in all 24 major and minor keys, embody the emotional profundity and developing harmonic language of late Romantism, leading to Scriabin’s more avant-garde compositions. Contemporary performance practice emphasizes the necessity of reconciling technical accuracy with deep expressiveness, mirroring Scriabin's philosophical and synesthetic concepts. This paper examines interpretative methods, highlighting rubato, dynamic subtleties, and pedaling strategies, which are crucial for conveying the ambient and frequently mystical characteristics of the preludes. This study seeks to elucidate the historical context of the preludes and their reception within the modern piano repertory, aiming to offer insights for attaining authenticity and uniqueness in performance.