Sonorous Hypostases for a Tanka Poem

Abstract

The vocal miniatures pertaining to the composers Theodor Grigoriu and Dan Dediu, on which we make a series of analytical considerations, prove the richness of the musical means through whose intermediary there may be associated the word and the music. The lyrics offer an original interpenetration between Zen and Christianity; there will be insisted on the diversity of the two aphoristic sonorous hypostases, one based on sonorous metaphors, the other one based on meta stylism.