Sonic Spectra. Retrofuturism of Vinyl Record

Abstract

This article explores the concept of retrofuturism in the context of vinyl records, focusing on their role as artifacts of retrofuturistic aesthetics in today’s digital age. It examines the enduring appeal of vinyl, emphasizing its materiality, collectible nature, and sensory richness, which offer a distinct connection to music. Drawing upon the concept of hauntology, initially introduced by Jacques Derrida and subsequently developed by Mark Fisher, the article delves into the universal yearning for „lost futures” of modernism within contemporary culture. By examining the lasting impact of vinyl records within a broader landscape of retrofuturistic culture, this article suggests that hauntological undercurrents associated with vinyl are essential for understanding its continued allure and significance in a world increasingly shaped by digital media.