Stylistic and Interpretative Aspects in Soler's Sonatas for Keyboard Instruments

Abstract

Having both spiritual and affective affinity with Padre Antonio Soler’s music which I have not only interpreted at different contests and recitals but also studied together with the students from the piano class I teach at the Music Faculty of Brasov I felt the need to both clarify and present in detail the coordinates of the pianistic discourse of his sonatas. The present article identifies these coordinates with the hope that it would be of great help and interest to the ones who will want to study and interpret these compositions.