General and particular features of the traditional dances in Dambovita county

Authors

  • Constantina Boghici Valahia University of Targoviste, Romania

Keywords:

dance, music, rhythm, choreography, role

Abstract

The wealth, diversity and beauty of the Romanian folklore are richly represented by a very spectacular and various genre, such as the traditional dance. Its syncretism (music, choreography, rhythm, extempore songs, clapping of the hands / stamping of the feet) makes the Romanian traditional dance one of the most beloved genres, both in the country and worldwide. While originally the dance had a major role, the social development and progress have gradually changed the initial destination of some dances (căluş, cununa), into one of entertainment, of fun. Though unevenly disseminated in its area of circulation, the Romanian traditional dance has generally preserved the same musical features: a construction in fixed cycles, a variety of rhythms, the correlation between melody and steps and extempore songs etc. The songs sung by peasants, accompanied by traditional instruments, are characterized by stylistic unity, archaic musical scales, motif structure (in general), motor and rhythm combinations, a simple melodic line enriched with accents on the unaccented beats or on quarter notes. The most frequent dances of Wallachia (and of Dâmboviţa County) are: hora, sârba, brâu, breaza, ciuleandra, căluş etc., which sometimes have local names (sârba cu cap and coadă, Hora ceasului, Floricica, Hora Nunţii, Sârba dogarilor etc.)

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Published

2015-06-26

Issue

Section

PERFORMING ARTS