The Spinto Soprano Voice and Comparative Analysis Aria “Vissi d`arte” from the opera “Tosca” by Giacomo Puccini

Authors

  • Madalina Bourceanu Transilvania University of Brasov, Romania

DOI:

https://doi.org/10.31926/but.pa.2022.15.64.2.3

Keywords:

Puccinian language, spinto soprano voice, vocal artistic concepts, corresponding to verism, comparatively interpretive analysis.

Abstract

In the works of Giacomo Puccini, the spinto soprano voice can be compared to a musical instrument that can reach its fullness when it becomes an instrument capable of any expressive availability. The drawn portrait of the puccinian heroine is based on the sound explosions that are closely related to the intensity of the orchestral commentary, emitting brilliant sonorous sounds of a unique expressiveness. In terms of vocal and artistic qualities, the singer's skills consist of singing nuanced depending on the word, color variations (light or dark), the use of contrasting intensities combined with vocal polychromy, psychological knowledge of the character and self for a complete, successful mastery. These considerations cannot be dominated by the effort made in supporting the verist repertoire. The depth of his musical thinking reflects the significance of revelation through musical expressiveness, melody, rhythm, tempo and drama.

Author Biography

Madalina Bourceanu, Transilvania University of Brasov, Romania

PhD Candidate, Transilvania University of Braşov, 

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Published

2023-01-30

Issue

Section

PERFORMING ARTS