Cultural Dynamism and the Reconfiguration of Gender Roles in African Music: A Case Study of Sona Jobarteh

Authors

  • Asajile Mwakalinga The Technical University of Kenya

DOI:

https://doi.org/10.31926/but.pa.2025.18.67.2.7

Keywords:

Sona Jobarteh, Gender Roles, African Music, Cultural Dynamism, Griot Tradition

Abstract

This study examines cultural dynamism and gender roles in African music through the case of Sona Jobarteh, the first woman from a hereditary griot lineage to gain international recognition as a kora virtuoso. Her career illustrates the negotiation between indigenous musical traditions and shifting gender expectations. Drawing on nineteen sources (2020–2025), the study uses qualitative thematic analysis to explore how women across Africa challenge gendered musical roles shaped by patriarchy and lineage. Findings show expanding female participation in instrumental performance, leadership, dance, and popular music. Jobarteh exemplifies how individual agency can sustain tradition while advancing cultural renewal, education, and social advocacy. The study contributes to discussions of gender equity, cultural continuity, and the evolving nature of African musical heritage.

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Published

2025-12-12

Issue

Section

PERFORMING ARTS