Stages In Modal Thinking - Guide Marks for a Possible Division into Periods of Paul Constantinescu’s Musical Creation

Authors

  • Roxana Pepelea Transilvania University of Brasov, Romania

Keywords:

national specific, Byzantine style, modal, diatonic, chromatic

Abstract

Centring on the changes in the musical language of the composer, the division into periods of Paul Constantinescu’s creation represents, essentially, the evolution of a modal thinking particularised by the passing from the diatonic phase to that of chromatic, from the modern stadium of modal towards that of the contemporary neo-modal of synthesis.

Author Biography

Roxana Pepelea, Transilvania University of Brasov, Romania

Dept. of Musical Pedagogy

Published

2007-01-15

Issue

Vol. 12(47) (2005)

Section

MUSIC

License

Copyright (c) 2005 Bulletin of the Transilvania University of Braşov. Series VIII: Performing Arts

Creative Commons License

This work is licensed under a Creative Commons Attribution 4.0 International License.