Aurel Stroe – The morphogenetic composition – contemporary synthesis

Abstract

Music has represented throughout history a reflection of the socio-human attitude, so that its evolution has taken the most diverse forms, an expression of social and human requirements. Since ancient times, the artistic phenomenon was presented syncretic, constituting both a visual and auditory stimulus. So, music – after a long period of purging, in which it freed itself from visual expression and reached a pure form of music – it had reached, in the second half of the twentieth century, a time when it tended more and more towards visualization and theatricalization. Its visualization has found a framework of conceptual experimentation by bringing to the stage, as constitutive elements of the concert performance, both the instrumentalist and his instrument, transforming the musical act into a new aesthetic phenomenon - the instrumental theatre.