Modal structures and contemporary techniques in Edi for solo clarinet by Toshio Hosokawa

Abstract

This article analyses Edi for solo clarinet by Toshio Hosokawa, focusing on its unique use of modal structures and contemporary techniques that draw on both neoclassical and folkloric influences. The piece unfolds through interconnected modal zones, each centred on tonal nuclei and enriched by expressive ornaments like vibrato, frullato, and voice integration. These techniques explore the clarinet's full acoustic potential, merging Japanese and Romanian cultural references. Through detailed analysis of tonal shifts and melodic motifs, this study highlights how Edi bridges planetary folklore with a modern aesthetic, creating a nuanced and expressive soundscape.