BULLETIN OF THE TRANSILVANIA UNIVERSITY OF BRASOV  VOL. 8 (57) No. 2 - 2015

Special Issue No. 1 - 2015: Proceedings of the International Conference “The Science of Music – Excellence in Performance”, November 26-27, 2015, Brasov, Romania
SERIES VIII  -  PERFORMING ARTS, ISSN 2344-200X (Print)  ISSN-L 2344-200X (Online), ISSN 2344-2018 (CD-ROM)

 

PERFORMING ARTS

Balint, G.: Course of form movement – a new perspective in the theoretical and interpretative approach of the musical text...

7

Bahnean, M.: Christoph Graupner (1683-1760) a contextual study of Cantata GWV 1127/19 “O WELT SIEH HIER DEIN

       LEBEN” .......................................................................................................................................................................................................

17

Beldean, L.: Heterophony in the Instrumental Show of Mauricio Kagel. “Sur Scėne” (1960).............................................................

49

Bizineche, L.: The reverence of a lyrical singer to the traditional Romanian music.............................................................................

67

Boghici, C.: Moments from the Romanian history of musical education in schools ...........................................................................

73

Bostan, M.C., Homescu, R.: Nicolae ªtefu – pedagogue and musician................................................................................................

85

Clinciu, E.A.: The musical libretto and the “accompaniment” functions subsumed to it. The Hourglass opera „The last days,

       the last hours ...” by Anatol Vieru............................................................................................................................................................

95

Coroiu, P.M.: The Chorales in „Matthaus Passion” by J. S. Bach (part I) – semantic comparative perspective ............................

103

Hanke, M.-E.: “Vesper Arias” of the Transylvanian author Johann Sartorius junior (1712–1787), dedicated to the

      Christmas holidays.....................................................................................................................................................................................

111

Naie, L.: The Piano art in Claude Debussy’s Sonorities “Beau Soir “ – Lied.........................................................................................

135

Oarcea, I.: The formative function of music education in achieving educational excellence.............................................................

141

Para, C.: Conductor – score – composer. Connections and interdependencies ................................................................................

151

Pepelea, R.: A Vision applied to the Lyrics – Music symbiosis................................................................................................................

157

Rucsanda, M.: The effect of various music genres on the adolescents’ emotional state....................................................................

167

Soreanu, C.: Psychological-Research coordinates upon the student – future opera soloist.............................................................

177

Varlan, P.-M.: Folk modalism expression in George Enescu’s works.....................................................................................................

183
Authors Index .................................................................................................................................................................................................... 191