BULLETIN OF THE TRANSYLVANIA UNIVERSITY OF BRASOV  VOL. 8 (57) No.1 - 2015

SERIES VIII  -  PERFORMING ARTS, ISSN 2344-200X (Print)  ISSN-L 2344-200X (Online), ISSN 2344-2018 (CD-ROM)

PERFORMING ARTS

Beldean, L.: Anatol Vieru and his theory. A continuum of growing up in musical structuring ...........................................................

7

Boghici, C.: General and particular features of the traditional dances in Dambovita county.............................................................

23

Bostan, C.: Concertino for 2 pianos in A minor...........................................................................................................................................

31

Coroiu, P.: Temporal organization of musical discourse in Ludwig van Beethoven’s Fifth Symphony..........................................

39

Dragulin, S.: The pianoforte – three centuries of life .................................................................................................................................

45

Engel, A.M.: Affirmation of Romanian music and culture in the vision of the composer Iacob Mureşianu.....................................

57

Gutanu, L.: Alexandru Lapuşneanu – as a musical character................................................................................................................

65

Preda-Ulita, A.: Analysis and performance. Views on the performers musical awareness..............................................................

79

Soreanu, C.: The Unpunished conqueror in the Opera “Rigoletto” by Giuseppe Verdi......................................................................

87

Tutu, C.: Interférences pluri-stylistiques dans les mises tardives de Haydn.......................................................................................

93

BULLETIN OF THE TRANSILVANIA UNIVERSITY OF BRASOV  VOL. 8 (57) No.2 - 2015

SERIES VIII  -  PERFORMING ARTS, ISSN 2344-200X (Print)  ISSN-L 2344-200X (Online), ISSN 2344-2018 (CD-ROM)

PERFORMING ARTS

Balaban, L.: Composer’s works of Nicolay Chiolak................................................................................................................................

7

Coroiu, P.-M.: Melodramas on the Book of Job - a cultural act at „Antim Monastery”: Unknown musical testimony of the  

      BURNING BUSH......................................................................................................................................................................................

13

Epstein, A.: Un intervalle pas comme les autres.....................................................................................................................................

21

Erdelyi-Molnár, K. The folksongs and wider public songs in 1865 after the published song book of Károly Színi: the

      Hungarian folk songs and melodies.....................................................................................................................................................

33
Gutanu, S.: The musical imagination of children, expressed through painting................................................................................. 45

Gutanu-Stoian, L.: Initiating the Student Conductor into the basics of the conducting technique (Auftakt-The Upbeat.

     Types of Upbeat and practical solutions).............................................................................................................................................

51

Ibanescu, C.: Artistic, cultural and social aspects in 20th century European context.......................................................................

61
Pepelea, D.: Beethoven’s “Kreutzer” Sonata No. 9 for Piano and Violin in A-Major, Op. 47 ........................................................... 69
Preda-Ulita, A.: Structure and voice-leading.............................................................................................................................................. 77
Risko, K.: Individual memory and collective history: the forgotten manuscript of István Bartalus ................................................. 83
Rucsanda, M.: Bach, Mozart and Beethoven’s music – philosophy lived in Cioran’s view.............................................................. 97

Tari, L.: Different social strata in musical collections of the 19th century and the way from the individual songbook to

       conserving collective treasures............................................................................................................................................................

105
Varlan, P.-C.: Typical and atypical aspects in “The Lark Ascending” by Ralph Vaughan Williams............................................... 123